Michel van der Aa
Akin
Michel van der Aa componeerde voor de violiste Patricia Kopatchinskaja en de celliste Sol Gabetta het dubbelconcert ‘Akin’. Zij speelden het in 2020 met het Concertgebouworkest. Van der Aa schaalde het stuk terug naar een versie voor ensemble. Ensemble Insomnio presenteert de première.
Michel van der Aa over ‘Akin’
Michel van der Aa has worked with both soloists on earlier projects – Patricia Kopatchinskaja on the violin work ‘Double’ and Sol Gabetta on his Grawemeyer Award-winning cello concerto with film ‘Up-close’. As the composer notes: “Akin was inspired by the friendship between these two very special string players, reflected in the score through their sharing of the same musical material and communication with a similar voice. When I was deciding on a title I was drawn to an image of identical twins, inseparable and thinking in a related manner to all outward appearances but perhaps with different personalities beneath.
“There is also an affinity between the solo and tutti material, as if the orchestra is an alter-ego of the soloists, operating in the same perspective. The relationship is not contrapuntal or a conflict of opposites as in some concertos but much more an active and engaged discussion between good friends. The percussion section has a prominent role, often soloistic. There are highly rhythmic sections with drum kit and the percussion triggers the release of energy, with pulse patterns creating timepieces – it as if the internal wheels in a clockwork mechanism are turning at different speeds. This provides the blueprint for the music of the string soloists.
“Like my clarinet concerto Hysteresis, the new work is in two parts. The first movement develops from an intimate opening, bottling up energy like an incubator, while the second movement is much more energetic and vituosic as if the valve on a pressure cooker has been released. I’ve decided, as with my Violin Concerto to write a purely acoustic piece without electronics, allowing the soloists to speak. Apart from a few fully scored sections and some dramatic outbursts the orchestration is very transparent to give enough space for the string lines to materialise.”
Programma en uitvoerenden
Michel van der Aa akin (dubbelconcert voor viool en cello) (wereldpremière ensembleversie)
Dai Fujikura abandoned time (concert voor elektrisch gitaar)
Luca Francesconi Islands (concert voor piano)
James Wood De telraam mechanicae
Insomnio
Mieko Kanno viool
Charles Watt cello
Martine Sikkenk elektrisch gitaar
Laura Sandee piano