Eric de Clercq likes it when musicians contribute to his music. He likes instruments that have no instruction manuals, hi-fi and low-fi electronics, instruments that don't easily mix, art that creates confusion, different tunings that occur simultaneously, external influences, collaborating with the same musicians over and over, collaborating with new musicians, collaborating with non-musicians, Do It Yourself, being part of the composers’ collective Monoták and especially composing.

Collaborations with:

7090 / Alliage Orchestra / Serge Bertocchi / Compagnie Picomètre / De Onafhankelijken / Dodorama / Double Bassoon Festival Las Vegas / Duo Dubbelduet / Duo Vertigo / Ensemble Aleph / Ensemble LOOS / eddie d. / Gaudeamus / Gergiev Festival / De Groep van Steen / London Ear Festival / Jan Hage / Micha Hamel / Newt Hinton Ensemble /

Koen Kaptijn / Tatiana Koleva /  KROKO concerten / Erik Langeveld / Guy Livingston / Lutz Mandler / Modelo62 / Monoták / Nora Mulder / Münchner Biënale / Musicavoix, Evreux / Musique Action, Vandoeuvre-lès-Nancy / Musique d'Aujourd'hui à Demain, Cluny /

NCRV / Nederlands Trombone Kwartet / NOMOS Ensemble de Violoncelles / November Music / Orkest De Volharding / Orkest De Ereprijs / Orgelpark Amsterdam /

pianoduo Post & Mulder / Ricciotti Ensemble / Rosa Ensemble / Jan van Rosmalen / Rotterdams Klarinet Kwartet  / Christophe Roy / Schönberg Ensemble / Margot Schotel / Slide Factory Festival / Jochem Stavenuijter / Tatiana Koleva / Tromp Festival /

Vinex Productions / Gerrie de Vries / Bas Wiegers / XASAX / Xenakis Festival Amsterdam / Zephyr Quartet.